Chromecast is Great But There’s a Big Feature Missing

I ordered a Chromecast as soon as I heard about it. It was $35 but came with 3 free months of Netflix streaming, which I would be paying for anyway, so it cost me about as much as lunch in Manhattan. It arrived on Friday and I’ve already given up streaming from my clunky Panasonic Blu-Ray player.

Streaming from apps that support Chromecast is fast, high-quality, and easy. Netflix, YouTube, and Google Play media show up on my TV with two taps. I ordered Europa Report from Google Play and had it on the TV in three taps on my Nexus 4. The movie was OK, but the purchasing and watching experience was as simple as I can currently imagine it. Casting a whole tab from Chrome is a different story. It’s really no good for video. It might be fine if you want something a little more static on screen but there was visible video stuttering when streaming from my MacBook Pro.

Here’s the big missing feature: on iOS if you have an Apple TV you can send any HTML5 video to it by pressing the AirPlay button in the video controls. Is there a good reason why every Chrome browser can’t send any HTML5 video to Chromecast today? I know that Chromecast works differently, and requires a receiver app, but it seems to me that Chrome could provide a generic HTML5 video receiver app without requiring every content provider to register as a developer and make their own, since every receiver app would be essentially the same. Maybe this is coming in Chrome 30 and I shouldn’t expect things to move so quickly, but I haven’t been able to find any discussion of it so far. I would love to incorporate it into my WordPress video player plugin as soon as possible.

Hey Look: I Have a New Website!

My website’s design was almost exactly the same for seven years. I built it out of the Blix WordPress theme back in 2006 and a few years ago in a fit of modernization I expanded the width of the main column. I always keep my resume updated, but mostly the site just sat there featuring months-old blog posts. But now I have a fancy, modern design thanks to the incredible WordPress theme designer Kriesi and his Enfold theme. Now everything works on the fancy smartphones nobody had in 2006. Rather than this musty old blog I’m now featuring my editor reel and many clips of projects I’ve worked on like this one from the Dead Possum episode of Maron featuring up-and-coming comedy star Josh Brener:

My favorite part is the tag system I added in. You can use it to look up all the projects I’ve done with a particular person. Want to see every Hal Hartley project I’ve been involved in? How about super-producer Jim Serpico of Denis Leary’s production company Apostle? Boom! Technology.

Check out all the cool new stuff. If you’re looking for an editor for your comedy series, might I suggest you peruse the Series section. Or if long-form is more your style, head over to the Features. I’ll do my best to keep the projects up to date, and maybe I’ll post in the blog a couple times a year.

At Least The New Mac Pro is New

After last year’s non update update, the Mac Pro is getting some real attention. This year Apple has announced a very powerful, very small, and very strange new computer.


Sure, it’s an “innovative” design. I don’t really even care that it looks like a trash can or a coffee maker. My editing computer is hidden away in a closet anyway. What’s important about this new computer is that it redefines the idea of expandability in a powerhouse computer.

Remember this?

Remember this?

In 1999 the blue-and-white G3s introduced a tab that you could pull to swing the computer open and mess with its guts. Variations of this idea persisted in the G4, G5, and cheese grater Mac Pros. Just like on a generic PC, you could install hard drives, upgrade the RAM, and most importantly, install cards in its expansion slots. Since then there have been a number of other Mac models that offered limited expandability in exchange for “just working.” Those were and are some great computers. I’m writing this on a lovely 27″ iMac in an office full of iMacs and I like it very much. But sometimes you want your computer to do something that can’t be handled without direct access to the brain. Historically expansion cards have provided that power. The new Mac Pro has no slots for expansion cards and no space for SATA drives. What it does have is lots of Thunderbolt ports.

Thunderbolt devices can theoretically handle most of the things that expansion cards always did, but here’s the problem: they don’t do it yet. There are Thunderbolt to PCIe boxes that fill in the gaps in functionality, but they are very expensive. This new computer isn’t coming out for several months, so the world will be a different place by then, but Thunderbolt has been around for over two years and I rarely see Thunderbolt devices in the wild. The absence of Thunderbolt on the old Mac Pros has held the technology back from wide adoption in the professional realm, but the price premium is also a problem. G-RAIDs with Thunderbolt are almost twice as expensive as comparable Firewire/eSATA/USB drives. Glyph doesn’t seem to make any drives with Thunderbolt. The Thunderbolt version of the Blackmagic Intensity is $100 more than the PCIe card.

The only complaint I ever had about the Mac Pros when they were current was that their thick metal cases made them much too heavy. That was usually a problem once per computer: when I took it out of the box and installed it and never moved it again. I certainly opened them up to install cards and hard drives and RAM, but I didn’t have to move them to do it. I and most people I know who use Mac Pros would have been very happy with an upgraded processor, Thunderbolt, USB 3.0, and I guess no Firewire since that seems to be the way things are going. If we’re lucky, this will be like getting rid of floppy drives. It seemed crazy at the time, but then everybody had a CD burner in their Macs and CD-R prices plummeted. Same thing happened with DVDs when Macs all had Superdrives. Now we don’t have any optical storage, and good riddance. Thunderbolt is a very complicated technology and the high prices are not arbitrary. Will removing the option to use anything but Thunderbolt make Thunderbolt devices inexpensive enough to use for everything? I hope so.

I guess the big question is how much this machine will cost. An 8-core Xeon E5 is around $1500 depending on the speed. An AMD FirePro with 6GB of VRAM is $2400. There will be two FirePros in these things. Prices will go down by the time the computer is released, but his will not be a cheap computer.

Update to Video Embed & Thumbnail Generator Compatible With WordPress 3.5 and All Kinds of New Stuff

I’ve been working on this one for way too long. I was all set to release a big update to my Video Embed & Thumbnail Generator WordPress plugin when I found out in November that WordPress version 3.5 messed with the media windows enough that I’d have to do a lot of tweaking to even maintain the functionality I had before. I think I’ve finally sorted everything out, and I apologize to anyone who updated to 3.5 right away and hasn’t been able to make thumbnails for a month. I think the wait was worth it.

For me, the coolest new thing about this version of the plugin is the video gallery. It’s pretty and it was actually one of the easier things to do. I designed the basic functionality last summer in order to display rough cuts of the 50 short monologues I edited for CenterStage’s 50th anniversary. (For the finished product they designed their own site using Vimeo for playback.) Here’s a sample gallery of my short-lived animated series:

The most important new feature is probably the addition of Video.js as an alternative to the old Strobe Media Playback Flash player. Video.js solves the problem I used to have with native HTML5 players, which is that they were ugly and all look different. It’s also lighter and more flexible, and I highly recommend switching to it. I managed to add Google Analytics tracking too, if that sort of thing interests you.

I wasn’t keeping up with FFMPEG’s development and totally missed the fork to LIBAV. I know most of you haven’t updated FFMPEG in ages so it didn’t seem to cause much trouble, but I now support calling LIBAV directly.

MP4 files encoded by FFMPEG save the moov atom at the end of the file and that was causing problems with streaming playback. I knew the way to fix this was to implement a queue system for encoding videos and run qt-faststart or MP4Box once the file is encoded, but I also knew to do it right would stretch my meager programming skills to the limit. I spent a long time on it, but it seems pretty good now. One of the most difficult things was interpreting the output from FFMPEG because it’s not really designed to interface with other programs like I’m doing. And then I had to make everything look pretty and work with AJAX because what’s the point of making something ugly that forces you to refresh all the time?

2012 Mac Pro “Update” and the Creative Professional

There was no mention of it on stage at the WWDC yesterday, but the Mac Pro has finally been updated after almost two years. There is a slight increase in the clock speeds available, and there doesn’t seem to be a dual quad-core option available anymore. The processors are still last-generation Bloomfield & Westmere-EP Xeons. Newer Sandy Bridge-EP processors were released in March, which as I understood it was the main reason Apple had to wait so long for an update, and why there should have been an update this week. The Sandy Bridge-EP processors start at 6 and go up to 8 cores! Other things that would have been reasonable to expect include updated graphics cards, USB 3.0, and Thunderbolt ports. Since FireWire is gone from the MacBook Pros, Thunderbolt & USB 3.0 are going to be available on a lot more drives in the near future and it would be great to have access to those ports on Mac Pros.

The Mac Pro is not exactly overpriced even with two-year-old technology. You would have a hard time putting together a computer with the same parts for much less money. But given the option, you would also be foolish to build that computer today. I happen to know that you can build a really great Sandy Bridge desktop computer for a lot less money because I did it last year with a Core i7-2600K-based system that cost me less than $1000 in parts. With the release of Ivy Bridge MacBooks you’ll soon be able to build your own Ivy Bridge desktops as well. I’ve been building hackintoshes since 2006, and it is much easier to set up now than it was in the early days. I’ve found that once the software is set up it’s as stable as any Mac Pro I’ve ever worked on and runs very fast.

But hackintoshes are only for individuals and small businesses willing to live on the edge. I’m teaching FCP editing classes at The New School this year, and they have hundreds of Mac Pros running FCP. I would be laughed out of the room if I suggested they replace those aging hulks (they are very heavy) with custom-built PCs hacked to run software that actively fights being installed on the computer. The lawyers might have something to say about it as well.

So what do you do as a creative professional who plays by the rules? You need power to run your fancy software. In my case I need flexibility. I need to monitor my video work on a video monitor. So I use a Blackmagic Intensity Pro PCIe card that costs less than $200 and does everything I need. I also have a nice computer monitor that I don’t want to replace every time I upgrade my computer. If you move up the chain a little, maybe you have a fibre channel network. Maybe you have an SDI video system that runs through your whole facility.

You could use iMacs. If you’re really dedicated to Macs and you want to upgrade now, the iMacs have Sandy Bridge processor options and better graphics cards than the Mac Pros. There also seems to be a number of 3rd party options for expanding your iMac using Thunderbolt. Similar to external hard drives, you can plug a box into your iMac’s Thunderbolt port and then plug a couple PCI cards into the box.

People are so clever!

That box is $979 though. Not exactly a bargain.

What I would recommend is looking at Windows. I know that makes a lot of people mad, but honestly as far as I’m concerned the only thing holding me back from Windows is all these HFS+ disks I have, and all the HFS+ disks I’ll work with in the future. I’m sure as hell not going to edit using MacDrive on Windows. I tried that once. After a couple years I’ll stop using FCP and both Avid & Premiere run great on Windows. FCP was the only reason I started using Mac OS in the first place. I like it. Snow Leopard is great. I also think Windows 7 is great. I’m not so sure about Windows 8 though. But I’m not so sure about Mountain Lion (or Lion). The rush to make the desktop more like mobile is not helping those of us who do fancy stuff on our computers.

In my New School classes I’ve spent much of the first class explaining to the students that things are changing very quickly and that many of the technical things they learn in the class will be obsolete soon. My advice is don’t get too comfortable in your workflows. And don’t buy a new Mac Pro. Your old one probably works fine.

Kickstarter for Ross McElwee’s New Movie

Now Ross McElwee is on Kickstarter, and he needs your help! Although I somehow never had a chance to take one of his classes, Ross was a frequent presence around the basement of Sever Hall at Harvard. I first met him when he made an excellent cameo appearance in my film Camera Noise. Later I provided some sort of technical support while he was editing Bright Leaves, although I can’t remember what it was.

For those of you unfamiliar with Ross, here is one of the best quotes I’ve ever seen about anyone:

“If Ross McElwee were a novelist instead of a creative-nonfiction documentarian, he’d have awards by the mantelful, he’d be an Oprah’s Book Club millionaire, he’d be beloved by—at least—the 47 percent of Americans who reportedly read literature of any stripe. His sympathetic, cogent, witty voice would make seductive reading, satisfying a contemplative intercourse we’ve long since learned not to associate with movies. In a less supercool, more thoughtful world, McElwee’s new film would be an event, to be sighed over by reasonable adults, and imitated by ambitious camcorderists.” —Michael Atkinson, The Village Voice

But Ross makes movies, so he doesn’t go on Oprah, he goes on Kickstarter. He finished Photographic Memory last year and now he’s trying to release it. Support him! You can pledge to pre-order a DVD right now.

Kickstarter for Hal Hartley’s Latest Film Meanwhile

My good friend, marriage officiant, alleged Indie Film Legend, and frequent employer Hal Hartley just started a Kickstarter campaign to raise money to finish his film Meanwhile. In addition to being a big fan of Hal’s movies, I edited Meanwhile, and I am very excited to see it get a chance to go out in the world. It started its life as a short feature, and kept getting shorter as we pared it down to its essential elements. For a while we thought it was a TV pilot, but sadly the world is still not ready for a Hal Hartley TV show. There isn’t really space in the traditional distribution system for a movie like this, so Hal has decided to take it to the people.

For only $25 you can pre-order the limited edition DVD of Meanwhile. It’s a great deal. You get to support a truly unique and independent filmmaker and at the same time you get to take home a copy of a terrific movie. It also will help support me, since I edited the movie for free, and I only get paid if the movie makes any money.

And here’s the trailer for Meanwhile: