Barriers to Entry

The cost of making movies that look good has been plummeting steadily over the past few years. Way back in the beginning of the century, there was basically just DV, which everyone pretended looked good because there were no viable alternatives. Now we have a plethora of amazing HD options. I am a complete believer in shooting movies with DSLRs. Shane Hurlbut (who you may remember as the “fucking distracting” DP of Terminator: Salvation) brought the Canon 5D to my attention when he suggested using it to shoot portions of the Cheech & Chong concert movie (coming out 4/20 of this year!). At the time they had to do all kinds of crazy things to trick the automatic sensors into making the right exposure, and of course there was the totally boneheaded 30.0 fps. A year later we have full manual control on the 5D, which still has the best sensor around, but what’s exciting me today is the newly-announced $800 Rebel T2i. It seems to have all the video functions of the 7D with a significantly reduced price. Just like the 7D, you can shoot 23.98 fps. Sure, the sensor is smaller on both the 7D and T2i, but the beauty of a real lens is going to go a long way towards making up for the “small” sensor. Of course, you’ll have to get a lens for the thing too. $800 is just for the body.

I’m also a big believer in double-system sound. The sound recording on these DSLRs is suspect, but it’s just always a good idea to have a person on set whose job it is to monitor the machine that records your sound. When it’s going into your camera things start to get crowded. It also limits your camera’s mobility. Something like the Tascam DR-100 is very appealing to me. B&H is selling it for a mere $300! It’s small, portable, and records to the same SD cards the T2i records to. It’s basically the modern version of the DA-P1 DAT recorders I used in film school. And again this is only for the recording device. You’ll need a nice microphone or two.

As exciting as all this cheap gear is (and it is very exciting) you still need something to happen in front of the camera. First off you need a good story. It’s hard to write a good story. If you’ve seen any movies, plays, or read books you know this. Lately I’ve been disillusioned with the quality of films being made on shoestring budgets, but I saw the excellent Humpday recently and it really lifted my spirits. Anyone could make that movie from a technical point of view. It was shot on quite inexpensive HVX-200s. The barrier to making a good movie at this point is talent, and not access to money.

Even with the cost of recording devices heading towards $0, and your own talent being essentially free, you have some costs that aren’t going away. If you know enough people you can probably get a crew to work for free or deferred salaries. If you’re smart about the writing, you can keep the location costs low (access fees, transportation, and art department) but you still have to feed all those people. Lunch is necessary, and breakfast is a good idea to keep people happy. Food can easily be the most expensive part of a micro-budget movie.

And then there’s the big question of what to do with your movie when it’s finished. Yes, feel free to submit it to the big film festivals and hope that somebody picks you. There were 3,724 feature-length films submitted to this year’s Sundance Film Festival, so good luck with that. And even if your film is shown at Sundance, the days of Miramax picking up your film for $10 million are long gone (as is Miramax). You’re very likely to leave Sundance in the same penniless state you were when you started. Do not fall for the myth of “If you build it they will come.” If everyone in the world is building a baseball field in their corn field, heaven runs out of dead baseball players pretty fast.

Your film might be great, but the marketplace for films is terrible. Indie films struggle in theaters, and most people are still locked in a mindset that direct-to-home-video=failure. You certainly can’t make any money by selling downloads on the Internet. I don’t think I have any answers for someone making a movie on their own. It seems like a terrible idea financially. But if you can keep your costs down, you don’t need TWC or IFC Films. The less money you spend, the less money you have to earn back.

Server Closet

For years I’ve been complaining about the mess that external hard drives create. They’re amazing and convenient for someone in my line of work who needs to move a lot of storage around, but every manufacturer uses a different power cord. Some of them use wall-warts. Some of them use in-line bricks. Some of the higher-end companies like Glyph put the converters inside and use standard 3-pin power cords. They also keep the case a nice rectangular shape, but you pay a premium for those drives. I have at least five external drives connected to my computer at all times, and they tend to vary in both cord and enclosure style. What this has generally meant was a barely contained mess of wires surrounding my computer. When I installed an HD monitor and Blackmagic Intensity card, the problem got even worse. So this week I moved my computer into my closet. This solves the messy cable problem, and makes the computer easier to access. It’s on a shelf so I don’t have to crawl around on the floor to plug and unplug things. It also makes the office much quieter because all those noisy fans are tucked away in the closet. Of course it generates a bit of heat, so I’m currently investigating some cooling options. I’m thinking of venting the heat out the back of the closet into another closet that doesn’t have any delicate computer equipment. For now, the closet door just stays open a crack.

Since I was running 35-foot cables, I wanted to minimize the number of cables I had to buy. Once you get over 15 feet it can get expensive especially for DVI. I managed to get it down to an incredibly thick (1/2″ diameter) DVI cable, a 33-foot active USB repeater cable, a component video cable for the HD monitor, and a red-white RCA for audio. I was already running ethernet from the DSL modem right past the closet, so I diverted it inside. I put a little 7-port USB hub on my desk, and the computer monitor has 4 USB ports as well. I put my DVD burner in an external USB enclosure on my desk so I don’t have to go into the closet to burn a disc. All firewire and eSATA devices stay in the closet. The component and DVI cables are really thick, but the whole thing just barely fit in a nice little cable zipper so it looks like a single thick cable.

I have a multi-standard DVD player hooked up to the HD monitor, so I got a component video switcher to switch between the computer’s video feed and the DVD. It’s a neat little device that has IR Learning, so I can use any remote to control it. That lives under my computer monitor stand, which does a great job of hiding cables.

The Marriage Ref Promo


I edited this promo for The Marriage Ref a couple weeks ago. It was shot entirely on the Canon 5D Mark II. It was a really fun experience, and Mr. Seinfeld came in a couple times to work with us. It’s great to see something I edited released so quickly but the quality of the encoded video is pretty low. It’s my understanding that this full version of the story will not be shown on TV.

Got Me a Smart Phone

For years when people asked me if I had an iPhone my response was “No, I have a phone that makes phone calls.” Well today I have a phone that does all those things an iPhone does and it makes phone calls. I got myself a Nexus One.

The phone arrived yesterday, and due to some rather dispiriting conversations with T-Mobile customer support, I was unable to connect to the 3G network. You see, I was a VoiceStream Wireless customer from 2002. (Look it up kids, or ask your grandparents about it. They won’t remember it either.) My rate plan hasn’t existed since the days when MySpace was cool. And I obviously didn’t have a data plan. I once tried to use the web with my old phone-phone and it was unbearable. My first step was to call T-Mobile customer support before I purchased the phone in order to verify that I could switch to the lovely Even More Plus plan, which at $59.99 for 500 minutes, unlimited text and data, is a stone cold bargain. I was told in no uncertain terms that the only way the Nexus One will work is if I purchase the phone with the Even More plan, which at $79.99 and a 2-year contract is not a good deal. Even with the $250 subsidy for current T-Mobile customers, I come out behind over two years with that plan. I have the cash now. Why get stuck in a contract?

So I did my research online and it seemed pretty clear that I could use the Even More Plus plan with this phone if I paid full price. I just went ahead and ordered it, hoping for the best. That’s not something I usually do with $530 purchases, but I felt that I was in the right on this one.

The phone arrived yesterday and it is frakking beautiful. My life is already well-integrated with Google, and this takes it even further. All of my contacts are synced with my GMail contacts, and of course GMail works right out of the box. The few times I use a calendar I always use the Google Calendar, and guess what: Google Calendar is the default calendar on the phone.

I set all this up using my Wi-Fi network at home since I still didn’t have a cell data connection. I could make make calls right away, but still no 3G. So I contacted T-Mobile customer support again. And again I was told that I could only use the Nexus One with the Even More plan and that it would not connect to the network otherwise and would I like to sign a 2-year contract now? As if the phone can tell I’m paying $20/mo. more. I didn’t think I was going to get anywhere with this one, so I hung up and again I was left with a phone that makes phone calls and can get on the Internet only if someone forgets to password-protect their router.

I decided to just change the plan myself using T-Mobile’s website, but rate changes don’t go into effect until the next billing cycle, which for me is 2/14. Since I only had 14 days left to return the phone for a refund, I started to worry. Even though everyone on the Internet was telling me it would be fine, I still had to go through the wall of ignorance at T-Mobile in order to make it work. This morning I gave it another shot and was connected to my new favorite person: Shawn F, rep ID #13-20832. He confirmed that I had purchased the phone at full price without a rate plan or contract and as such I could use the phone with any damn plan I wanted. 15 minutes later I was on the 3G network.

The lesson here is that T-Mobile needs to educate their customer support. And don’t give up on your dreams, because they do come true.

An Excellent Search Term

For years it’s been people searching for pictures of Jennie. But today it’s me!

By the way, I’m thinking the next animation episode will be clothing optional.

It’s Episode Two!

It’s been over a year in the making, but Episode Two of my planned decade-spanning animated time travel web series “Time Travellin'” is finally finished. Take a look at “A Common Misconception”

I learned a lot about animation by doing this, and I’m hoping the next one comes a little quicker. But if I keep getting all this paid work, it’s going to take forever.

Possible Films Has a New Website

I’ve been working off-and-on with Hal Hartley since 2001 when he was my college thesis advisor. I’ve spent time as his teaching assistant, production manager, editor, and now we’ve built a new website for his company Possible Films. There have been several incarnations of the site over the years. In 2004–05 I packed envelopes with DVDs and CDs ordered through PayPal. For the past few years the site has been a very simple affair, with no direct sales. But now we’re doing something that represents a very interesting future for film distribution. We’re selling downloads of movies and soundtrack music straight from the website. We’re also premiering original content (again, video and audio) for free streaming. The really exciting goal is to premiere a feature film as a downloadable movie. There’s no DRM on anything, so our customers can watch the movies they buy in any way they want. I put a lot of work into this project over the past few months, and I’m really proud of both the look and the functionality of the site. Please, take a look at it, and if you like what you see, think about buying something.

A Deleted Shot from Camera Noise

I was cleaning out my closet yesterday and I found a VHS tape of the original 31-minute version of Camera Noise. It’s currently at a lean 29 minutes, and I was curious if there were any gems in there that I cut just to get the length down. It turns out I was definitely right to cut out everything I did, and of course the whole thing is almost unbearably long. But here’s a fun little bit from what’s still the best scene I ever shot.

Is Vuze No Longer Generating Revenue For Me?

I can’t imagine many people made money from the Vuze HD Network. But I happened to pull in some serious, much-appreciated cash from the fluke popularity of Two Night Stand last summer. I earned back production costs of the film in a single quarter. Vuze was one of the only user-generated content networks to do pre-rolls with payments that didn’t require clicking on the ads. But now with the latest release of the Vuze client, the HD Network has turned into a collection of RSS feeds for stuff like Rocketboom & the Onion News Network; content producers who don’t need any help getting hits. My videos still show up if you do a specific Google search, but I can’t see any way to just stumble across them while browsing, either in the client or on the web. And I no longer see any pre-roll advertisements. I used to see a few dozen seeds for Two Night Stand at any given time, but in the past week that’s dropped to 7. Vuze really seemed to be attempting to bring something worthwhile and legitimate with the Bittorrent platform, but I guess it didn’t work. It’s a sad end to a noble experiment.