YouTube Gets Better
The mystery is over. YouTube, in another in a long series of overdue moves, has revealed some real information about how people find your YouTube videos. In my case, it turns out that my most popular videos happen to be declared “related” to some other, more popular videos. I’ve never questioned the success of the “Bad Webcam Sex” video, which is naturally connected to all kinds of filth that people are mistakenly looking for on YouTube instead of the entire rest of the Internet. What really surprised me was the sudden and unexpected rise of viewers for Two Night Stand. I’ve now learned that nearly 50% of the traffic comes from being “related” to a video called “Fake Wife Swap” which was made for one of those 24-hour film festival challenges. 90% of Two Night Stand viewers come from related videos.
The other big change—which still hasn’t quite worked itself out yet—is the so-called “high quality” option for YouTube videos. On certain videos (the criteria isn’t at all clear to me) you can add &fmt=6 to the URL and get a significantly better video. Unfortunately I don’t know what you have to upload in order to get the higher quality. Is it a higher resolution, or a higher bitrate that I should be going for? Adding &fmt=6 to most videos gets you the usual blender-set-on-purée look. Some guidance from YouTube would be nice.
UPDATE: Brian Gary has an article at kenstone.net explaining the best settings to use to take advantage of YouTube’s higher quality options.
Add comment April 12th, 2008


I considered a D/A converter, but they all run around $200 and don’t have any tape decks, in case I do need to capture a tape here and there. Eventually I decided that a cheap camcorder was my best option. First I got a $160 Canon camcorder. With Avid Xpress Pro I was getting a 16 frame delay and often drifting out of sync, which I assumed was because it was a cheap piece of crap. I returned it and got a $190 Sony DCR-HC28 since I’ve had such good experiences with Sony decks. I still get the 16 frame delay with the Sony camcorder, but I don’t have the drifting problem. I was working on a different project in Final Cut Pro, so I booted up the Mac OS to see what the delay would be. Turns out it’s only 2 frames, which is what I usually expect from FCP with a firewire deck. That really surprised me since it’s the same computer. From what I’ve read in online forums, the 16 frame delay is standard for Avid without a DNA like the Mojo. I’ve turned on desktop play delay, which keeps the video in sync, but it makes editing a bit more difficult.
I upgraded my computer a couple weeks ago, swapping out the motherboard, CPU, and RAM, but leaving the hard drives and case alone. I thought it would be pretty simple. I knew Windows would work without a hitch, but I knew from the beginning that I’d have to reinstall the Mac OS because it had been patched to work on my old AMD processor. What I didn’t know was that the OSX-on-a-PC drive interface situation had flipped since the last time I installed OSX. With my nForce4 motherboard, it was a hassle to install onto SATA drives. With my ASUS P5K-E P35/ICH9R motherboard, OSX refused to even see my PATA/IDE drives. My DVD burner and my Mac hard drive were both IDE, so I was in trouble. I went through a lot of work, so I thought I’d document it all for anyone who’s dealing with the same problems. The geniuses over at the Insanelymac forums were a huge help. Here’s what I did: