I’m happy to hear that new MacBooks will have Firewire ports. It was a dumb idea to get rid of them in the first place, and Apple seems to have listened to its customers in this case. A concerned customer emailed Steve Jobs last year about the lack of Firewire in the MacBook, and Jobs […]
If you’re making a fiction film, and you’re looking for an editor, the number of hours of footage you shot is not important.
Yes, I know BAM and the Em Dash sounds like a great title for a film, but this post is going to take a break from Obscure Topics in Film Editing and focus on Obscure Topics in Typography. At least since I’ve lived in Brooklyn—and probably a lot longer—the Brooklyn Academy of Music has used […]
Since I last posted about my Bolex Stereo system, I’ve made a bit of progress getting the whole thing together. I bought an old 16mm projector on E-Bay, which doesn’t quite have the right size lens mount, but the stereo lens fits inside, so I’m sure I can improvise something to make it a snug […]
The Cheech & Chong concert movie is going very, very well. I recently came across a press release that Panasonic put out about our use of the new 3700 P2 cameras. My name is mentioned briefly at the end. Above is one of the photos included in the story taken during Cheech’s performance of “Earache […]
The movie I’m working on now involves two shows each running 5 simultaneous 1080p angles. The source material is AVC-Intra shot with 3700 Varicams. When I brought the footage into FCP, I converted to ProRes HQ because I thought our system could handle it. We bought a Caldigit HD Element just for this movie, and […]
So one of those things that doesn’t come up much, but is really important, is the prohibition against letting timecode go past midnight. Once it gets past 23:59:59:23 (or 29 or 24 depending on your timebase) it goes to 00:00:00:00. If that happens, how does your timecode-based editing system know that the footage with lower […]
We shot 3 days with the Canon 5D last week. It looks awesome. I highly recommend it. Here was our workflow: 1. Record separate audio at 48048, stamped at 48000. This is possible with some audio recorders even if you’ve never noticed it before. Check your manual. 2. Copy contents of CF card to hard […]
I’ve spent a lot of time on this blog writing about 24p editing because it’s so complicated and misunderstood. Last year I wrote about shooting 24p but editing 29.97 arguing that nobody is going to notice the difference. This year I want to write about the reasons to go through the trouble to shoot and […]
